In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered.įour Black Revolutionary Plays: All Praises to the Black Man. A driving force behind the Black Arts Movement, the prolific Baraka retells his experiences from his participation in avant-garde literature after World War II and his role in Black nationalism after the assassination of Malcolm X to his conversion to Islam and his commitments to an international socialist vision.ĭigging: The Afro-American Soul of American Classical Music. Poet, dramatist, novelist, critic, teacher, and political activist Amiri Baraka, born LeRoi Jones, vividly recounts his crusading role in African American literature. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.Īll of the published poetry of James Baldwin, including six significant poems previously only available in a limited edition Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers. Nobody Knows my Name: More Notes of a Native Son. a powerful endictment of American concepts of justice and punishment in our time.
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But his girlfriend, Tish, is determined to free him, and to have his baby, in this starkly realisitic tale.
Fonny, a talented young artist, finds himself unjustly arrested and locked in New York's infamous tombs. In it are anger and pain, but above all, love - affirmative love of a woman for her man, the sustaining love of a black family.
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Like the blues - sweet, sad and full of truth - this masterly work of fiction rocks us with powerful emotions. James Baldwin's groundbreaking novel about love and the fear of love is set among the bohemian bars and nightclubs of 1950s Paris.īy turns haunting, heartbreaking, and horrifying-and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators-Going to Meet the Man is a major work by one of our most important writers. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism Examining this incident with a reporter's skill and an essayist's insight, he notes the significance of Atlanta as the site of these brutal killings-a city that claimed to be "too busy to hate"-and the permeation of race throughout the case: the black administration in Atlanta the murdered black children and Wayne Williams, the black man tried for the crimes.Īt once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. N his searing and moving essay, James Baldwin explores the Atlanta child murders that took place over a period of twenty-two months in 19. Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence.
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